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THE HARMONIOUS THURINGIAN
TERENCE CHARLSTON (harpsichord)

Thuringia is a region of Germany in which both Bach and Handel grew up. It was here that a distinctive form of harpsichord was built, very different to most others, with a wonderful tone. This was most likely the type of intrument with which the composers were familiar. One survives and has been replicated beautifully by David Evans, this being its recording debut. Possibly we are hearing these great baroque works more accurately presented than ever before.

Leading early-music specialist Terence Charlston plays music by the relatively young J S Bach and G F Handel and several of their contemporaries from the late 17th and very early 18th centuries.

Charlston plays another unique instrument in 16th and 17th century music:
"Mersenne's Clavichord" DDA 25134

CD DURATION:  70:26

AUDIO SAMPLE: Suite VIII Chaconne (J.C.F. Fischer)




dealer release date : 30 September 2014
BUY IN THE UK:

£12.00


BUY IN THE USA:

$15.99


DIGITAL DOWNLOAD:


CD program:
Johann Sebastian Bach:
Toccata in E minor, BWV 914
Fantasia in G minor, BWV 917
Prelude in A major, BWV 896
Johann Caspar Ferdinand Fischer:
Suite VIII in G major
Louis Marchand:
Prelude in D minor
Johann Philipp Krieger:
Passacaglia in D minor
Johann Krieger:
Ich dich hab ich gehoffet Herr
Christian Ritter:
Allemande in descessum Caroli xii Regis Sveciae
Johann Christoph Bach:
Prelude and Fugue in E flat major, BWV Anh.177
Johann Pachelbel (attrib.):
Fugue in C major
Tarquinio Merula:
Capriccio Cromatico
Friedrich Wilhelm Zachow:
Nun komm, der Heiden Heiland
Johann Kuhnau:
Prelude
George Frideric Handel:
Suite No. 5 in E major, HWV 340

review extracts: for full reviews click here
“This new CD of Baroque harpsichord music gives an extremely pleasant and satisfying exploration of works written by Bach and Handel, as well as a good number of lesser-known contemporaries, dating from the late seventeenth and early eighteenth century. The liner-notes are a model of their kind. The playing on this CD is stunning. The sound is perfect: revealing every detail of the music and gradation and tone of the instrument's character. A great introduction to the period.” - John France (MusicWeb)
“Fine musical clarity and sensitivity ... exquisite performance... There are some extremely interesting and attractive works on this new disc from composers probably not heard of by most listeners. David Evans' fine instrument adds much to Terence Charlston's excellent performances. The CD booklet is up to Divine Art's usual high standards with colour photographs, including one of the instrument, excellent notes by Terence Charlston together with details of the harpsichord including pitch and temperament.” - Bruce Reader (The Classical Reviewer)
“Exciting, ringing performance of controlled virtuosity… The standard of playing throughout is of the highest quality with some tastefully added ornamentation and suitably varied articulation to add character to the pieces. This CD is highly recommended, not only because of the interesting selection of pieces and the exceptionally high performance standard but also because of the fascinating and successful matching of the repertoire with the instrument enabling us to perhaps hear the pieces at a far closer remove than on the later German instruments.” – John Collins (Harpsichord & Fortepiano)

“Expertly-written liner notes describe unique elements of the Thuringian harpsichord tradition; and the instrument itself records beautifully with a rich, resonant timbre. Charlston performs with elegance and refinement... virtuosic command... lyricism, graceful, well-paced phrasing. An excellent record with beautiful performances of an unusual collection of repertoire.” - Michael Unger (American Record Guide)

“[The instrument] is surprisingly resonant and is very well recorded here. Charlston handles all this with confidence and style, giving the music time to breathe while keeping forward momentum. The association of a particular instrument with music appropriate to it gives this recording a real sense of purpose which is communicated in the playing. I enjoyed it very much.” - Noel O'Regan (Early Music Review)
“A most enjoyable disc. The playing by harpsichordist Terence Charlston is adept at finding just the right tempos for this program. He also has some lovely registrations (all within the compass of his reconstructed instrument, of course), and I like his sense of phrasing in which the counterpoint is clear and unhurried and the dances unfold without haste or undue rhythmic distortion. This is one disc that would be a delight to have, unpretentious and well performed.” - Bertil van Boer (Fanfare)
“All [the works] are worth hearing, and were chosen to represent the kind of music which the two great German geniuses grew up with, here played on an instrument with a similar claim to our attention. The sound of this instrument is unusual and attractive ... we want to hear what this harpsichord sounds like, and the solo repertoire chosen does this very well. In general,[Charlston] sounds completely at home. We have here an innovative recording, exploring mainly unfamiliar music, on a type of harpsichord which is poorly understood today.” – Colin Booth (The Consort)
“ The nice thing about this disc is that Charlston has mostly included pieces which don't figure on every disc with music from the early stages of Bach's career. This is a very interesting recording which combines a compelling programme with a rather unusual sound from an intriguing instrument and an inspired and incisive interpretation. Everyone interested in Bach and/or Handel and their world should investigate this disc. The harpsichord used here should give food for thought as far as the choice of keyboard instruments is concerned. “ - Johan van Veen (Musica Deo Donum)